Interview with Brooks Arthur, April 30, 1999
Project: Chasing Sound Oral History Project
Interview Summary
This is an interview with audio engineer Brooks Arthur. Arthur discusses his career across various recording studios and the artists he worked during the 1950s and '60s.Arthur describes his experience as a child with singing and audio recording. Arthur describes the musical play he co-authored with Bob Booker titled 'Crooners.' Arthur describes his first job in the mail room of Decca Records and how he was introduced to the recording industry. Arthur describes the studio etiquette of Decca Records' Artist and Repertoire Department during the 1950s and the things he learned from it. Arthur describes his work as a recording engineer after Decca Records, when he worked between Dick Charles Studios and Bradley's Barn Studio during the beginning of Nashville's music industry. Arthur discusses technical methods used to record songs quickly during the 1960s, and the way songs were given to the radio stations before they were made into records or albums. Arthur briefly discusses his time with Mirror Sound Studios. Arthur describes his preferred methods of recording.
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All rights to the interviews, including but not restricted to legal title, copyrights and literary property rights, have been transferred to the University of Kentucky Libraries.
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Arthur, Brooks Interview by Susan Schmidt Horning. 30 Apr. 1999. Lexington, KY: Louie B. Nunn Center for Oral History, University of Kentucky Libraries.
Arthur, B. (1999, April 30). Interview by S. S. Horning. Chasing Sound Oral History Project. Louie B. Nunn Center for Oral History, University of Kentucky Libraries, Lexington.
Arthur, Brooks, interview by Susan Schmidt Horning. April 30, 1999, Chasing Sound Oral History Project, Louie B. Nunn Center for Oral History, University of Kentucky Libraries.
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Persistent Link for this Record: https://kentuckyoralhistory.org/ark:/16417/xt7jm61bp14v