Interview with Mitch Miller, January 21, 1999
Project: Chasing Sound Oral History Project
Interview Summary
Miller talks about the early years of music recording as a business. He discusses payoffs to musicians and other questionable business practices. He suggests some of these practices were based on race. Miller talks about the changing and development of recording technology and how it affected the music recording business. Miller talks about his first recording studio production. He says Bob Fine worked as engineer and the recording was made directly to a disc. Miller says women working in recording studios was uncommon because men held an advantage in employment. Miller talks about his interest in various styles of music such as rhythm and blues and jazz. He laments that white artists "ripped off" Black artists by mimicking their music. Miller talks about supporting the development of technology, although he expresses skepticism of multi-tracking and compact disc technology. Miller talks about various techniques he observed engineers use in recording music.Interview Accession
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Interview LC Subject
Columbia Broadcasting System, Inc. Racism Sound--Recording and reproducing Sound--Recording and reproducing--History Sound recording industry Sound recording industry--History Sound recordings Music History of science and technology Fine, Robert Columbia Records, Inc. Racism African Americans Record labelsInterview Rights
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All rights to the interviews, including but not restricted to legal title, copyrights and literary property rights, have been transferred to the University of Kentucky Libraries.
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Miller, Mitch Interview by Susan Schmidt Horning. 21 Jan. 1999. Lexington, KY: Louie B. Nunn Center for Oral History, University of Kentucky Libraries.
Miller, M. (1999, January 21). Interview by S. S. Horning. Chasing Sound Oral History Project. Louie B. Nunn Center for Oral History, University of Kentucky Libraries, Lexington.
Miller, Mitch, interview by Susan Schmidt Horning. January 21, 1999, Chasing Sound Oral History Project, Louie B. Nunn Center for Oral History, University of Kentucky Libraries.
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